So what has been going on in The Sewing Lawyer's sewing room? Well, for starters, it has become a dual function work space. I have a very heavy duty ironing board which raises high enough to be a comfortable height for a standing desk, I have discovered. When I feel like sitting, my computer nestles on a table surface between my serger and sewing machine. I can in theory close the computer and be back to sewing readiness in no time. The only problem is that I have no time these days, it would seem, for anything but work!
The fact that production has slowed does not mean it totally stopped. I actually finished working on something this week that I had started several weeks ago. As seems appropriate, it's complex and it was a demanding project and the outcome is slightly unsatisfactory.
Introducing a tunic top made in the most difficult-to-work-with fabric I have ever tried, crinkle silk chiffon. I bought this piece in Sydney Australia at The Fabric Store. As of writing this, there is still a bit of it available. It is a Liberty of London fabric and the print is wonderful - rows of pears on a dark blue background. I love how it looks and I really disliked sewing it!
I used a vintage Butterick Willi Smith pattern from my past. I made it once before, in quilting cotton. I wish I could find a photo so you could compare, but no luck.
So without more, here is my completed top, on a plastic mannequin. One of the problems with this top, at least at this time of year, is static. If you look at it sideways the fabric sticks to whatever it is next to, including the wearer's skin. After a few days on an inanimate object, the static has subsided.
The pattern has a front placket and unfortunately I had lost page 3-4 of the 6 pages of instructions, which would have unlocked the secrets of how to construct this particular one. I did my best to figure it out from the markings on the pattern, and even did a mockup in trash fabric, but ended up winging it to finish the lower edge of the opening on the inside. Why yes, there is a square of fabric hand-tacked on the inside over a raw edge that I couldn't otherwise get rid of. Luckily, the fabric is so gossamer fine that this lumpy solution is completely invisible!
|Sewing with paper|
This top has a rounded shirttail hem. The only way I could imagine finishing it satisfactorily was by hand. Susan Khalje to the rescue with an excellent video on doing a hand-rolled hem. I finished the hems before sewing the side seams, which worked well. Hand-rolled hems, another first!
|Looking through the yoke at the French|
seam joining sleeve (at right) to body
As for those seams, only French seams would do, n'est-ce pas? Again, Threads to the rescue. Kenneth King teaches an excellent way to sew really strong and really tiny French seams using the rolled hem setting on your serger for the first pass. I had made French seams before, but never using this technique.
I used navy silk organza as the inner layer of the yoke, and as interfacing in the cuffs. I cut a strip of organza selvedge to stabilize the ties at the neck.
All in all, this is a beautiful shirt, but it remains to be seen how much wear it will get.