Hits and misses

I'm working on my latest dress (yes, yes, there has been progress) and, as usual, have needed to try it on periodically.  This one has a side zipper.  I haven't done a lapped zipper in any location, let alone a side-seam zipper, since before the turn of the century.  It went in OK and all that, but the combination of a side zipper, not extending right into the armhole but just below it, and a close-fitting skirt means that this dress is not easy to get into.  Which worries me about whether I will like to wear it.  Which in turn leads me to ponder what exactly it is that makes a sewing project a real hit.

If we can identify the magic criteria, I could perhaps ensure that I'd have more hits and fewer misses. 

Not that I have an indecent number of misses.  But there are definitely items that I turn to again and again, and those that stay hanging in the closet.  Have a look at these jacket projects, which all date back to 2007.      

First some hits:

Jacket is #108 from Burda WOF, August
2006.  Top is OOP Vogue 2683

I love this jacket.  I wear it constantly in the winter, along with the simple bias-cut matching top.  In fact I've made the top (Vogue 2683) so many times I lost count.  I wear the pair with a long pale grey skirt or with plain brown wide-legged pants.

What I love:  The fabric - the leaves are woven into the fabric - purchased at Tissus Tuéni in Montreal.  The colours - mix of warm brown and beige, and cool greys.  The fit.  The piping.  The collar.  I like being able to throw on the jacket and top for an instant ensemble.  I like being able to take the jacket off if I overheat.

Vogue 1472 - Paris Original (ca 1959) 

Next, what about this jacket, made from a vintage Vogue Paris Original Christian Dior pattern, found (uncut and including the Vogue label with the Eiffel Tower) at the Fabric Flea Market one year?  I made a skirt to mimic the one in the pattern but with some room so I could actually walk, climb stairs etc.

What I love:  The fabric - lush wool with a woven-in design, purchased at the Wool House in Toronto.  The somewhat boxy but still refined fit.  I appreciated the couture details, like the fact that the collar is cut so that the corners are perfectly square and on-grain (CB seam is off grain as a result), and that a perfect amount was already included for turn-of-cloth.  The buttons are vintage glass, purchased from a local collector.  I did a good job on this jacket, pad stitching and all.  Bound buttonholes, even on the non-working sleeve vents.  (More photos here.)

This is a very feminine suit, but still (am I deluding myself?) powerful.  I wear it often with a little shell.  A jacket and sleeveless top combo is very practical in my office.

Unfortunately, doing a great job sewing-wise isn't the ticket to a hit for my closet.

Vogue 7908 (Claire Shaeffer pattern)

This jacket fits, it's well-made (more pictures here), and it combines orange and teal in a tiny woven-in pattern. I love the colours and lined the body with orange silk.  However from a distance the colour is less interesting, and the jacket fabric is a little stiff.  I think it is a wool blended with some synthetic.  The stiffness carries into the very structured collar (I think I used a fusible hair canvas) which fits very close to my neck at the sides.  This isn't completely uncomfortable but detracts somewhat from the feel of the jacket on.

There is an unsuccessful matching skirt, which is seamed in a way that makes it impossible to turn into something else, unfortunately.  So the jacket is a bit of an orphan.  That's a problem.  I like it, in theory.  However it doesn't get worn very much.

Do these garments reveal anything to you about my style and preferences?  Want to see more ancient (pre-blog) projects from The Sewing Lawyer's closet?