Showing posts with label Vogue 7881. Show all posts
Showing posts with label Vogue 7881. Show all posts

Sunday, May 1, 2011

Unseasonable


It happened again.

Lined wool pants just in time for ... spring.  Doh!  Oh well, maybe we will have some more unseasonable cool weather before summer hits.  Otherwise, these will wait quietly for cooler weather, and in October or so, the Sewing Lawyer will be glad to have them.

These are the same fabric as the last project: a sheath dress.  I should finish a top to wear with them before turning to summer sewing.

(I believe the legs are both the same length despite the evidence in the photo of the back.  I hemmed them quite long, so I can wear them with heels.)

These pants are at least the fourth pair in my closet made from Vogue 7881, a Claire Shaeffer pattern.

They are plain, comfortable, and versatile.  What's not to like?

And they look pretty good with my leather jacket.


Strangely, since hand-sewing is not my favorite thing, all four pairs are from the "couture techniques" side of the instructions (which are lengthy and, like all the Claire Shaeffer patterns, very informative and helpful).  Really, the only special features of the "couture" version are that (1) the wool fabric is eased into the waistband instead of darted and (2) the zipper is sewn in by hand (yes really) and (3) the waistband is constructed mostly by hand.

The pattern does not call for lining but I added a half-length underlining of Bemberg.  I cut it on the cross grain and use the selvedge for the lower edge of the underlining.  No bulk or show-through. I don't fuss too much about how long the half-lining should be.  I just place the pattern pieces on the cross grain to get maximum length and so they have the same leg length.   It generally turns out that the lower edge hits around my knee.

Here is what it looks like at the fly.

Notice there is a tiny dart in the underlining but the outer fabric is eased only.  I did these steps separately before basting the underlining to the pants pieces, after which I treated each piece as a single layer.

I particularly like the hand-finished waistband.  You know those blumpy corners and wavery, not-square ends that result from sewing a waistband right-sides-together, and then turning it right side out?  There's none of that.  The couture technique that Claire Shaeffer teaches produces sharp corners, right angles, and uniform width.  And it's thin, flexible, and looks great inside and out.

(Later, I added a couple of pant hook and bar closures, exactly like these.)

First, interface the waistband to the seam lines only.  The  pattern includes separate pieces for the waistband interfacing but you can easily remove the SAs on any waistband pattern pieces.  (NB:  To use this technique you do need a seam at the upper edge of the waistband so would have to further adapt a pattern which has a straight grain waistband with a folded upper edge.)  I used two layers of fusible interfacing to ensure stability, since this is a curved piece with the CB area on the bias.  I cut one with the straight grain at the CF and the other with the straight grain at the CB.  As a result, the whole thing is totally stable and stretch-proof.

Press the upper SA of the waistband to the inside, along the line of the top edge of the interfacing.  Then attach the waistband to the pants by machine.  Press so that all SAs at the waist seam are facing into the waistband.  To preserve the curve of the pants at the hip I've pressed this seam using my pressing ham.

The 7881 waistband piece is extra long with about 6.5cm (2.5") extending beyond the  finished end of the waistband.  This extension is not interfaced.  Press the lower SA up on this piece as well.  Notice that the extension is very slightly tapered so that it is not as wide as the waistband itself.

Fold this extension along the leading edge of the interfacing.  See the nice square corners?  See how the slightly narrower width ensures that it will not peek out above or below the waistband itself?

Hand stitch the extension down invisibly along the 3 edges to secure it to the waistband.  This is the other end, which on this pattern has a significant overlap.

The waistband facing is cut from lining fabric.  This keeps the waistband nice and thin.  Again, 7881 has separate facing pieces.  To adapt this technique for another pattern, the only point to note is that the facing pieces need to be shorter than the waistband, because of the long folded-back extensions.

After sewing the CB seam, press the upper edge seam allowance down on the facing.  Then pin this edge to the folded-down upper edge of the waistband, keeping the facing edge a smidge lower than the upper folded edge so it will be invisible from the outside.

Fold under the leading edge SAs, ensuring the edge of the waistband extension is well covered.  Then fold and pin the lower edge along the seam line, ensuring the facing lies nice and flat.

Hand sew the facing to the waistband, using a tiny fell stitch.
Done.

Tuesday, March 15, 2011

Coordinating from stash with TNT patterns

So my leather jacket completion project is moving along.  The body of the jacket is finished except for the topstitching which will require a clear mind and a steady hand.  Thus far I haven't felt up to it, so I started on the lining.  I have to say, making the lining is the least fun part of sewing a nice jacket.  But I can see the finish line so am working through my lack of interest.




The lining fabric is a silk and rayon blend from Fabricland which I think they were marketing as "dirty silk".  Here's a close up of the fabric.  You can see it's a floral jacquard weave and the right side is brownish-black, or blackish-brown, in an interesting kind of way.   The lighter side is the wrong side, and it really does look "dirty" - the dye is uneven and smeared as you can see below (the real colour is less yellow than the photo below, and less pink than the photo to the right).
The dark side looks great with my "navy brown" and buttery soft leather.

My thoughts then turned to the inevitable question:  "But what (besides jeans) can I wear this with??"  I went burrowing into my stash, where I found some likely candidates.

My first thought was to identify a suiting weight fabric and I came up with a really soft and drapey, slightly tweedy pure wool that gives just the right overall effect of rich brown but is really a complex mix, in a tiny woven pattern, of at least three different browns - one really dark and cool in tone, the second a rich red-brown, and the third is a mix of beige and dark brown.  I have just under 3 metres.  I'm going to make my PMB sheath dress (again) and a pair of wide-legged pants.  I have had great luck with  Vogue 7881 which I have made three times already.  There should be enough left after cutting these 2 pieces to make my favorite bias shell, from an OOP Vogue, 2683.  Like 7881, this is a real TNT (tried 'n' true) pattern for me since I have made the top at least 4 times (and the skirt at least 3 times).  The dress/top combo is 100% appealing to me, but the dress leaves me completely cold.

But what else to wear with these future elegant and flowy trousers?  In my silk bin, I found many possibilities, but the one that has caught my eye is a refashioning project.  My super-shopper friend found a Thai silk skirt in one of her second-hand haunts which she gave to me while extracting a promise that I actually do something with the fabric.  The skirt is a floor length, front-buttoning dirndl in an interesting print.  The colours are unusual for me since I don't gravitate towards purple, but I like that it's combined with a cool beige, black and a couple of nice pinks and reds.  There is lots to make a little shirt.  I could reuse the front button detail since it has really gorgeous tiny self-fabric loops and covered buttons, but right now I'm leaning towards the top from Simplicity 2938.  I've made this one before too.

To the left is a sneak peek of the jacket together with the two coordinating fabrics I'm planning.  What do you think?